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PUBLICATIONS

The main publications issued by the Tokyo Fuji Art Museum are listed below.

Where to Find Them

Past publications of the museum are available for viewing in the museum’s art library. Some of the publications can be purchased at the Museum Shop in the museum or online at FAM ART STORE.

About the Catalogues Available for Purchase

Exhibition catalogues for current special exhibitions can be purchased at the Museum Shop in the museum or online at the FAM ART STORE. Catalogues of collections, masterpieces, and select past exhibitions are also available for purchase.

Special Exhibition Catalogues

These are the exhibition catalogues for the special exhibitions organized by the museum. They are published for each exhibition.

Collection and Masterpiece Catalogues

This is a collection catalogue that lists the museum’s collection, including its masterpieces.

  • TFAM “Eternal Treasures” Collection Volume 1: “Masterpieces of French Painting from the 18th Century,” January 10, 1998
  • TFAM “Eternal Treasures” Collection Volume 2: “Masterpieces of European Paintings,” May 26, 1999
  • TFAM Collection: “Through Wider Windows: 170-Year Breakthroughs in Photography,” September 15, 2004
  • TFAM “Masterpieces from the Collection,” March 31, 2009
  • TFAM “Selected Masterpieces of Japanese Fine Art,” August 24, 2016
  • Tokyo Fuji Art Museum Collection Man Ray, published April 24, 2019

Research JournalMUSE

MUSE is the research journal of the museum. It serves as a research journal, making valuable contributions to various fields of art history research based on in-depth studies of the artworks in its collection. MUSE is also an information journal that collects data on the various activities that take place within the museum. The publication aims to promote global networking among museums and researchers and to serve as a knowledge platform for the benefit of the field.

  • MUSE Issue No. 1, November 3, 1991
  • MUSE Issue No. 2, July 3, 1994
  • MUSE Issue No. 3, May 3, 1998
  • MUSE Issue No. 4, March 31, 2002
  • MUSE Issue No. 5, March 25, 2011
  • MUSE Issue No. 6, March 25, 2015
  • MUSE Issue No. 7, March 31, 2023
  • Tokyo Fuji Art Museum Research Journal MUSE Issue No. 7, published March 31, 2023
  • Essay on Cultural Exchange by Alessandra Griffo, a Dialogue Recorded With the Tokyo Fuji Art Museum and Uffizi Gallery
  • Essay on Cultural Exchange by Xavier Salmon, with the Tokyo Fuji Art Museum
  • Research Report on Early Modern Period Paintings (Shijō School and Southern School) in the Tokyo Fuji Art Museum Collection by Sasaki Johei
  • Inro Production and Collection History and Inro in the Tokyo Fuji Art Museum Collection by Takao Yoh
  • A Dress in a Picture, a Picture of a Dress Exhibition: Creating a Resonant Space Among Works Transcending Genres by Miyagawa Kenichi
  • A Dress in a Picture, a Picture of a Dress Exhibition: The Challenge and Possibility of a New Historical Exhibition by Hamada Kunio
  • Premium Talk Special Discussion: A Conversation about Grandpa Sakubei with Ogata Emi, Inoue Tadatoshi, and Gokita Akira
  • SDGs x Revive Time: Kaki Tree Project Tree Planting Commemorative Crosstalk with Ebinuma Masayuki, Miyajima Tatsuo, and Hibino Katsuhiko
  • Commentary on Masterpieces
    • Commentary on Jean-Antoine Watteau’s Portrait of Antoine de la Roque by Ohno Yoshiki
    • Commentary on Claude Monet’s Water Lilies by Yasui Hiroo
    • Commentary on Salvador Dalí’s Portrait of Ruth Lachman by Minami Yusuke
    • Commentary on Tani Buncho’s Reeds with Moon by Kobayashi Tadashi
    • Commentary on Soga Shōhaku’s Folding Screen with Design of Cranes by Kano Hiroyuki
    • Commentary on Maruyama Ozui’s Blooming Pine Tree, Fuchigami Kyokko’s Mirage, and Kinoshita Oju’s (also known as Maruyama Oju) Two Bamboos by Yasumura Toshinobu
    • Commentary on Marriage Furniture for Tenshoin Atsuhime’s Tea-bowl Stand and Lid with Design of Family Crests and Hollyhock Arabesque in Maki-e Lacquer by Koike Tomio
    • Commentary on Yamamoto Sakubei’s Female Miners of the Old Days #2: Transfering Coal from a “Sena” Basket to a “Bara” Basket by Asagarasu Kazumi
  • Research Reports by Curators
    • From On-Site Information Management of Museum Collections to Online Museums by Kamogi Toshiyasu
    • Restoration Report 1: Antoine-Jean Gros’ Portrait of Louis-Eugène d’Etchegoyen, Cavalry Officer
    • Restoration Report 2: Workshop of Antoine-Jean Gros’ Portrait of Napoléon as First Consul by Koganemaru Toshio
    • Uemura Shōen’s Works and Their Allure: Reality as a Keyword by Miyagawa Kenichi
    • Record of Public Programs During the COVID-19 Pandemic by Hiraya Mikako
    • Tokyo Fuji Art Museum Collection and Japonisme by Nishino Masae
    • Study of Yoshida Hiroshi’s Sailing Boats works from The Seto Inland Sea Series by Akasu Kiyomi

Other Publications

  • An In-Depth Study: Memories of Leonardo da Vinci’s Lost Great Mural Tavola Doria
    Tokyo Fuji Art Museum Edition published by Tokyo Bijutsu on April 15, 2021
  • Notes on Tavola Doria by Gokita Satoshi
  • Leonardo da Vinci’s “Most Beastly Madness”: The Process of Creating The Battle of Anghiari by Martin Kemp
  • Leonardo da Vinci’s Lost Great Mural: What Tavola Doria Tells Us by Koshikawa Michiaki
  • An Examination of Tavola Doria by Cristina Acidini
  • The Dignity of Reproduction by Antonio Natali
  • Slight Reconsiderations on the Date of Production of Tavola Doria and Speculation Surrounding Its Artist After the Symposium by Pietro C. Marani
  • Tavola Doria – The Most Important Painting Depicting The Battle of Anghiari by Alessandro Vezzosi
  • Sketches and Paintings Related to The Battle of Anghiari Conundrum by Cecilia Frosinini
  • A Scientific Study of Tavola Doria by Koshikawa Michiaki
  • Examination and Observations of Tavola Doria by Roberto Bellucci
  • Radiocarbon Dating of Tavola Doria Supervised by Labec, a Laboratory Applying Nuclear Physics Technology to Cultural Property Investigation
  • Scientific Investigation of Tavola Doria at the Opificio delle Pietre Dure Restoration Institute by Carlo Galliano Lalli, Giancarlo Lanterna, and Federica Innocenti
  • Conservation and Restoration Treatment of Wooden Supports by Ciro Castelli, Andrea Santacesaria
  • The Influence of Tavola Doria’s Exhibit: The Dissemination and Enjoyment of Artworks through Exhibitions by Kamogi Toshiyasu

CURRENT EXHIBITIONS