EN

PUBLICATIONS

The main publications issued by the Tokyo Fuji Art Museum are listed below.

Where to Find Them

Past publications of the museum are available for viewing in the museum’s art library, of which a number can be purchased onsite at the museum’s Museum Shop or online through the FAM ART STORE.

About the Catalogues Available for Purchase

Exhibition catalogues for current special exhibitions can be purchased at the Museum Shop at the museum or online through the FAM ART STORE. Catalogues of collections, masterpieces and select past exhibitions are also available for purchase.

Special Exhibition Catalogues

These catalogues have been published for each of the special exhibitions organized by the museum.

Collection and Masterpiece Catalogues

These are catalogues that list the museum’s collected works, including its masterpieces.

  • TFAM “Eternal Treasures” Collection Volume 1: “Masterpieces of French Painting from the 18th Century,” January 10, 1998
  • TFAM “Eternal Treasures” Collection Volume 2: “Masterpieces of European Paintings,” May 26, 1999
  • TFAM Collection: “Through Wider Windows: 170-Year Breakthroughs in Photography,” September 15, 2004
  • TFAM “Masterpieces from the Collection,” March 31, 2009
  • TFAM “Selected Masterpieces of Japanese Fine Art,” August 24, 2016
  • Tokyo Fuji Art Museum Collection Man Ray, published April 24, 2019

Research JournalMUSE

MUSE is the Japanese-language research journal of the museum, published to contribute to the advancement of various fields of art history research compiled through extensive studies of our collected artworks. MUSE is also an information tool that collects data on the various activities that take place within the museum. The publication aims to promote networking among museums and researchers worldwide and to serve as a knowledge platform for the benefit of the field.

  • MUSE Issue No. 1, November 3, 1991
  • MUSE Issue No. 2, July 3, 1994
  • MUSE Issue No. 3, May 3, 1998
  • MUSE Issue No. 4, March 31, 2002
  • MUSE Issue No. 5, March 25, 2011
  • MUSE Issue No. 6, March 25, 2015
  • MUSE Issue No. 7, March 31, 2023, which features the following articles with tentatively English titles:
  • Essay on Cultural Exchange by Alessandra Griffo, a Dialogue Recorded With the Tokyo Fuji Art Museum and Uffizi Gallery
  • Essay on Cultural Exchange by Xavier Salmon, with the Tokyo Fuji Art Museum
  • Research Report on Early Modern Period Paintings (Shijō School and Southern School) in the Tokyo Fuji Art Museum Collection by Sasaki Johei
  • Inro Production and Collection History and Inro in the Tokyo Fuji Art Museum Collection by Takao Yoh
  • “A Dress in a Picture, a Picture of a Dress” Exhibition: Creating a Resonant Space Among Works Transcending Genres by Miyagawa Kenichi
  • “A Dress in a Picture, a Picture of a Dress” Exhibition: The Challenge and Possibility of a New Historical Exhibition by Hamada Kunio
  • Premium Special Discussion: A Conversation about Grandpa Sakubei with Ogata Emi, Inoue Tadatoshi, and Gokita Akira
  • SDGs x Revive Time: Kaki Tree Project Tree Planting Commemorative Crosstalk with Ebinuma Masayuki, Miyajima Tatsuo, and Hibino Katsuhiko
  • Commentary on Masterpieces
    • Commentary by Ohno Yoshiki on Jean-Antoine Watteau’s Portrait of Antoine de la Roque
    • Commentary by Yasui Hiroo on Claude Monet’s Water Lilies
    • Commentary by Minami Yusuke on Salvador Dalí’s Portrait of Ruth Lachman
    • Commentary by Kobayashi Tadashi on Tani Buncho’s Reeds with Moon
    • Commentary by Kano Hiroyuki on Soga Shōhaku’s Folding Screen with Design of Cranes
    • Commentary by Yasumura Toshinobu on Maruyama Ozui’s Blooming Pine Tree, Fuchigami Kyokko’s Mirage, and Kinoshita Oju’s (also known as Maruyama Oju) Two Bamboos
    • Commentary by Koike Tomio on Marriage Furniture for Tenshoin Atsuhime’s Tea-bowl Stand and Lid with Design of Family Crests and Hollyhock Arabesque in Maki-e Lacquer
    • Commentary by Asagarasu Kazumi on Yamamoto Sakubei’s Female Miners of the Old Days #2: Transferring Coal from a Sena Basket to a Bara Basket
  • Research Reports by Curators
    • “From OnSite Information Management of Museum Collections to Online Museums” by Kamogi Toshiyasu
    • “Restoration Report 1: Antoine-Jean Gros’ Portrait of Louis-Eugène d’Etchegoyen, Cavalry Officer”
    • Restoration Report 2: Workshop of Antoine-Jean Gros’ Portrait of Napoléon as First Consul by Koganemaru Toshio
    • “Uemura Shōen’s Works and Their Allure: Reality as a Keyword” by Miyagawa Kenichi
    • “Record of Public Programs During the COVID-19 Pandemic” by Hiraya Mikako
    • “Tokyo Fuji Art Museum Collection and Japonisme” by Nishino Masae
    • “Study of Yoshida Hiroshi’s Sailing Boats works from The Seto Inland Sea Series” by Akasu Kiyomi

Other Publications

  • An In-Depth Study: “Memories of Leonardo da Vinci’s Lost Great Mural Tavola Doria”
    Tokyo Fuji Art Museum Edition published by the Japanese art platform Tokyo Bijutsu on April 15, 2021
  • “Notes on Tavola Doria” by Gokita Akira
  • “Leonardo da Vinci’s ‘Most Beastly Madness’: The Process of Creating The Battle of Anghiari” by Martin Kemp
  • “Leonardo da Vinci’s Lost Great Mural: What Tavola Doria Tells Us” by Koshikawa Michiaki
  • “An Examination of Tavola Doria” by Cristina Acidini
  • “The Dignity of Reproduction” by Antonio Natali
  • “Slight Reconsiderations on the Date of Production of Tavola Doria and Speculation Surrounding Its Artist After the Symposium by Pietro C. Marani
  • Tavola Doria – The Most Important Painting Depicting The Battle of Anghiari” by Alessandro Vezzosi
  • “Sketches and Paintings Related to The Battle of Anghiari Conundrum” by Cecilia Frosinini
  • “A Scientific Study of Tavola Doria” by Koshikawa Michiaki
  • “Examination and Observations of Tavola Doria” by Roberto Bellucci
  • “Radiocarbon Dating of Tavola Doria Supervised by Labec, a Laboratory Applying Nuclear Physics Technology to Cultural Property Investigation”
  • “Scientific Investigation of Tavola Doria” at the Opificio delle Pietre Dure “Restoration Institute” by Carlo Galliano Lalli, Giancarlo Lanterna, and Federica Innocenti
  • “Conservation and Restoration Treatment of Wooden Supports” by Ciro Castelli, Andrea Santacesaria
  • “The Influence of Tavola Doria’s Exhibit: The Dissemination and Enjoyment of Artworks through Exhibitions” by Kamogi Toshiyasu

CURRENT EXHIBITIONS