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Your search has yeild 216 works by Francisco de Goya y Lucientes.
Francisco de Goya y Lucientes
Francisco de Goya y Lucientes 1746-1828
Francisco de Goya y Lucientes Bullfight, Plate 24: Ceballos, mounted on one bull, fights another in the bullring at Madrid
Bullfight, Plate 24: Ceballos, mounted on one bull, fights another in the bullring at Madrid
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 25: A bull baited by dogs
Bullfight, Plate 25: A bull baited by dogs
Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint
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Francisco de Goya y Lucientes Bullfight, Plate 26: A picador falls under the bull from his horse
Bullfight, Plate 26: A picador falls under the bull from his horse
Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint
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Francisco de Goya y Lucientes Bullfight, Plate 27: The famous Fernando del Toro provoking the bull with his pike
Bullfight, Plate 27: The famous Fernando del Toro provoking the bull with his pike
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 28: The Brave Rendon Wounds the Bull with His Pike; in So Doing, He Met His Death in the Bullring at Madrid
Bullfight, Plate 28: The Brave Rendon Wounds the Bull with His Pike; in So Doing, He Met His Death in the Bullring at Madrid
Published October 1816 (first edition) Etching, aquatint, burnisher and burin
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Francisco de Goya y Lucientes Bullfight, Plate 29: Pepe Illo makes the Recorte to the bull (tries to maneuver the bull into the right position for placing the banderillas)
Bullfight, Plate 29: Pepe Illo makes the Recorte to the bull (tries to maneuver the bull into the right position for placing the banderillas)
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 10: Charles V fighting a bull in the bullring of Valladolid
Bullfight, Plate 10: Charles V fighting a bull in the bullring of Valladolid
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 11: The Cid Campeador Attacking a Bull with His Lance
Bullfight, Plate 11: The Cid Campeador Attacking a Bull with His Lance
Published October 1816 (first edition) Etching, aquatint, burnisher and burin
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Francisco de Goya y Lucientes Bullfight, Plate 12: A crowd hamstrings the bull
Bullfight, Plate 12: A crowd hamstrings the bull
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 13: A Spanish horseman spearing a bull without the help of his peons
Bullfight, Plate 13: A Spanish horseman spearing a bull without the help of his peons
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 14: The clever “student of Falces” provokes the bull while wrapped in his cape
Bullfight, Plate 14: The clever “student of Falces” provokes the bull while wrapped in his cape
Published October 1816 (first edition) Etching, aquatint, burnisher and burin
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Francisco de Goya y Lucientes Bullfight, Plate 15: How the famous Martincho plants his banderillas
Bullfight, Plate 15: How the famous Martincho plants his banderillas
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 16: Martincho makes the bull turn around in the bullring at Madrid
Bullfight, Plate 16: Martincho makes the bull turn around in the bullring at Madrid
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 17: The Moors protect themselves with asses against a bull with blunted horns
Bullfight, Plate 17: The Moors protect themselves with asses against a bull with blunted horns
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 18: The intrepidity of Martincho in the bullring at Saragossa
Bullfight, Plate 18: The intrepidity of Martincho in the bullring at Saragossa
Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint
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Francisco de Goya y Lucientes Bullfight, Plate 19: Another daring feat of Martincho in the same bullring
Bullfight, Plate 19: Another daring feat of Martincho in the same bullring
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 1: How the ancient Spaniards baited the bull in the open
Bullfight, Plate 1: How the ancient Spaniards baited the bull in the open
Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint
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Francisco de Goya y Lucientes Bullfight, Plate 2: Another way of baiting the bull on foot
Bullfight, Plate 2: Another way of baiting the bull on foot
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 3: The Moors in Spain, disregarding the superstitions of the Koran, kill the bull with lances in the countryside
Bullfight, Plate 3: The Moors in Spain, disregarding the superstitions of the Koran, kill the bull with lances in the countryside
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 4: They fight bulls with the cape in the bullring
Bullfight, Plate 4: They fight bulls with the cape in the bullring
Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin
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Francisco de Goya y Lucientes Bullfight, Plate 5: The Courageous Moor Gazul Was the First to Fight Bulls According to the Rules
Bullfight, Plate 5: The Courageous Moor Gazul Was the First to Fight Bulls According to the Rules
Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint
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Francisco de Goya y Lucientes Bullfight, Plate 6: The Moors using their burnous to provoke the bull
Bullfight, Plate 6: The Moors using their burnous to provoke the bull
Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint
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Francisco de Goya y Lucientes Bullfight, Plate 7: The origin of the harpoon or banderilla
Bullfight, Plate 7: The origin of the harpoon or banderilla
Published October 1816 (first edition) Etching, aquatint, burnisher and burin
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Francisco de Goya y Lucientes Bullfight, Plate 8: A Moor wounded in the arena
Bullfight, Plate 8: A Moor wounded in the arena
Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint
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Francisco de Goya y Lucientes Bullfight, Plate 9: A Spanish nobleman kills the bull after losing his horse
Bullfight, Plate 9: A Spanish nobleman kills the bull after losing his horse
Published October 1816 (first edition) Etching, aquatint, burnisher and burin
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Francisco de Goya y Lucientes Disasters of War, Plate 73: Cat’s pantomime
Disasters of War, Plate 73: Cat’s pantomime
Published 1892 (second edition) Etching, burnisher and burin
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Francisco de Goya y Lucientes Disasters of War, Plate 74: That Is Still Worse
Disasters of War, Plate 74: That Is Still Worse
Published 1892 (second edition) Etching and burnisher
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Francisco de Goya y Lucientes Disasters of War, Plate 75: The trickery of charlatans
Disasters of War, Plate 75: The trickery of charlatans
Published 1892 (second edition) Etching, aquatint or lavis, drypoint and burin
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Francisco de Goya y Lucientes Disasters of War, Plate 76: The Carnivorous Vulture
Disasters of War, Plate 76: The Carnivorous Vulture
Published 1892 (second edition) Etching, burnisher, drypoint(?) and burin
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Francisco de Goya y Lucientes Disasters of War, Plate 77: May the cord break
Disasters of War, Plate 77: May the cord break
Published 1892 (second edition) Etching, aquatint or lavis, drypoint and burin
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