Francisco de Goya y Lucientes Bullfight, Plate 14: The clever “student of Falces” provokes the bull while wrapped in his cape

Bullfight, Plate 14: The clever “student of Falces” provokes the bull while wrapped in his cape

Published October 1816 (first edition) Etching, aquatint, burnisher and burin

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Francisco de Goya y Lucientes Bullfight, Plate 15: How the famous Martincho plants his banderillas

Bullfight, Plate 15: How the famous Martincho plants his banderillas

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 16: Martincho makes the bull turn around in the bullring at Madrid

Bullfight, Plate 16: Martincho makes the bull turn around in the bullring at Madrid

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 17: The Moors protect themselves with asses against a bull with blunted horns

Bullfight, Plate 17: The Moors protect themselves with asses against a bull with blunted horns

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 18: The intrepidity of Martincho in the bullring at Saragossa

Bullfight, Plate 18: The intrepidity of Martincho in the bullring at Saragossa

Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint

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Francisco de Goya y Lucientes Bullfight, Plate 19: Another daring feat of Martincho in the same bullring

Bullfight, Plate 19: Another daring feat of Martincho in the same bullring

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 20: The Agility and Daring of Juanito Apinani in the Bullring at Madrid

Bullfight, Plate 20: The Agility and Daring of Juanito Apinani in the Bullring at Madrid

Published October 1816 (first edition) Etching and aquatint

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Francisco de Goya y Lucientes Bullfight, Plate 21: An accident that occurred in the ringside seats at Madrid, and the death of the mayor of Torrejon

Bullfight, Plate 21: An accident that occurred in the ringside seats at Madrid, and the death of the mayor of Torrejon

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 22: The manly courafe of the famous Pajuelera in the Saragossa arena

Bullfight, Plate 22: The manly courafe of the famous Pajuelera in the Saragossa arena

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 23: Mariano Ceballos, known as “The Indian,” kills a bull from horseback

Bullfight, Plate 23: Mariano Ceballos, known as “The Indian,” kills a bull from horseback

Published October 1816 (first edition) Etching, aquatint and burnisher

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Francisco de Goya y Lucientes Bullfight, Plate 24: Ceballos, mounted on one bull, fights another in the bullring at Madrid

Bullfight, Plate 24: Ceballos, mounted on one bull, fights another in the bullring at Madrid

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 25: A bull baited by dogs

Bullfight, Plate 25: A bull baited by dogs

Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint

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Francisco de Goya y Lucientes Bullfight, Plate 26: A picador falls under the bull from his horse

Bullfight, Plate 26: A picador falls under the bull from his horse

Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint

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Francisco de Goya y Lucientes Bullfight, Plate 27: The famous Fernando del Toro provoking the bull with his pike

Bullfight, Plate 27: The famous Fernando del Toro provoking the bull with his pike

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 28: The Brave Rendon Wounds the Bull with His Pike; in So Doing, He Met His Death in the Bullring at Madrid

Bullfight, Plate 28: The Brave Rendon Wounds the Bull with His Pike; in So Doing, He Met His Death in the Bullring at Madrid

Published October 1816 (first edition) Etching, aquatint, burnisher and burin

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Francisco de Goya y Lucientes Bullfight, Plate 29: Pepe Illo makes the Recorte to the bull (tries to maneuver the bull into the right position for placing the banderillas)

Bullfight, Plate 29: Pepe Illo makes the Recorte to the bull (tries to maneuver the bull into the right position for placing the banderillas)

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Disasters of War, Plate 73: Cat’s pantomime

Disasters of War, Plate 73: Cat’s pantomime

Published 1892 (second edition) Etching, burnisher and burin

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Francisco de Goya y Lucientes Disasters of War, Plate 74: That Is Still Worse

Disasters of War, Plate 74: That Is Still Worse

Published 1892 (second edition) Etching and burnisher

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Francisco de Goya y Lucientes Disasters of War, Plate 75: The trickery of charlatans

Disasters of War, Plate 75: The trickery of charlatans

Published 1892 (second edition) Etching, aquatint or lavis, drypoint and burin

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Francisco de Goya y Lucientes Disasters of War, Plate 76: The Carnivorous Vulture

Disasters of War, Plate 76: The Carnivorous Vulture

Published 1892 (second edition) Etching, burnisher, drypoint(?) and burin

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Francisco de Goya y Lucientes Disasters of War, Plate 77: May the cord break

Disasters of War, Plate 77: May the cord break

Published 1892 (second edition) Etching, aquatint or lavis, drypoint and burin

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Francisco de Goya y Lucientes Disasters of War, Plate 78: He defends himself well

Disasters of War, Plate 78: He defends himself well

Published 1892 (second edition) Etching, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Disasters of War, Plate 79: Truth is dead

Disasters of War, Plate 79: Truth is dead

Published 1892 (second edition) Etching and burnisher

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Francisco de Goya y Lucientes Disasters of War, Plate 80: Will she rise again?

Disasters of War, Plate 80: Will she rise again?

Published 1892 (second edition) Etching and burnisher

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Francisco de Goya y Lucientes Bullfight, Plate 1: How the ancient Spaniards baited the bull in the open

Bullfight, Plate 1: How the ancient Spaniards baited the bull in the open

Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint

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Francisco de Goya y Lucientes Bullfight, Plate 2: Another way of baiting the bull on foot

Bullfight, Plate 2: Another way of baiting the bull on foot

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 3: The Moors in Spain, disregarding the superstitions of the Koran, kill the bull with lances in the countryside

Bullfight, Plate 3: The Moors in Spain, disregarding the superstitions of the Koran, kill the bull with lances in the countryside

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 4: They fight bulls with the cape in the bullring

Bullfight, Plate 4: They fight bulls with the cape in the bullring

Published October 1816 (first edition) Etching, aquatint, burnisher, drypoint and burin

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Francisco de Goya y Lucientes Bullfight, Plate 5: The Courageous Moor Gazul Was the First to Fight Bulls According to the Rules

Bullfight, Plate 5: The Courageous Moor Gazul Was the First to Fight Bulls According to the Rules

Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint

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Francisco de Goya y Lucientes Bullfight, Plate 6: The Moors using their burnous to provoke the bull

Bullfight, Plate 6: The Moors using their burnous to provoke the bull

Published October 1816 (first edition) Etching, aquatint, burnisher and drypoint

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