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SUMMARY

Behind a rooster, hens show their faces, overlooking the chicks painted in the foreground. The figure of the rooster is depicted in close detail, from its comb and wattle to its feathers, tail and legs. On the other hand, the hens and chicks are presented in a more simplified manner, making it easy to overlook the composition. The feathers on the rooster’s back show, although in a delicate way, Jakuchu’s unique method of painting with overlapping lines, using the effect of sumi ink diffusion. The artist’s signature and seal say “Painting by the 79-year-old Beito-ou (Jakuchu)”, indicating that is was completed in 1794, when Jakuchu was producing work in front of Sekihoji temple (now Fukakusa, Fushimi, in Kyoto City), after the great fire of the Tenmei era that occurred in 1788.

ARTIST

Ito Jakuchu

1716-1800

Born the eldest son to a greengrocer in Nishiki Alley, Takakura, Kyoto, with the given name Jokin and family name Keiwa. Also went by the names Tobeian and Beito’o. After devoting himself to painting and Zen, receiving the householder (Buddhist practitioners who do so from home) title of Jakuchu, at age 40 he turned the family business over to his brother to concentrate on painting. Studying under the Kano school at first, in time he copied Chinese paintings from the Song, Yuan, and Ming dynasties at ancient temples in Kyoto. Influenced by the detailed paintings of flowers and birds by Shen Nanpin, which were popular at the time, as well as ink paintings associated with the Obaku school of Zen Buddhism, he perfected an art style that skillfully blended realism and imagination. He died at the age of 85.

List of artworks by the same artist

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