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Today known as the most famous artist in the field of pop art, the American painter Andy Warhol was a commercial designer engaged in advertising business in the 1950s. It was in the early 1960s that he first achieved name recognition as a pop art artist. Taking popular commercial art images, such as gravure pictures of popular movie stars, comic books, and advertisements promoting mass consumption as a subject for his work, he turned them into art works while retaining their kitsch nature. To achieve this, a technique that Warhol was fond of using was a method of “repetition.” He said, “I like boring things. I like things to be exactly the same over and over again.” The subject matters used for this repetition were mostly things collected from the media (such as TV, movies, newspapers, or magazines) surrounding daily life in contemporary society, including merchandise such as Campbell’s Soup can and Coca-Cola bottle, celebrities like Marilyn Monroe, Elizabeth Taylor and Elvis Presley, or footage of the moment of an accident. Warhol was keenly interested in an aspect that a mechanical repetition takes away the power of reality, creates a completely different meaning and brings about another effect. His preference toward such an image led to the photography and silk-screen printing technique that are capable of producing multiple images at once, and consequently he came up with his own unique method of “pictorialization” using the images obtained with the printing technique. The work Athletes employs the face of a famous American pro golfer as a repetitive imagery. Warhol once said, “I think of myself as an American artist: I like it here, I think it’s so great.” Perhaps one may say that Warhol represented his own inner America in this work by venerating a legend of sporting world as an icon of the 20th century.