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The painting Hunters in the Snow is copied by the artist after the well-known masterpiece (Kunsthistorisches Museum Wien) of his father Pieter Bruegel the Elder, the famous Flemish painter of the 16th century. Copying after his father's works and making variations at the requests of his contemporary art lovers, the artist contributed to disseminate his father’s rare style of painting. On the other hand, due to that he made his original genre paintings in which goblins or grotesque figures appeared, he was nicknamed “Hell Brueghel.” As compared particularly with his father’s original work, there are many differences that can be found between the two paintings. This is partly because there was the limitation of the surface area that he could paint. His work is painted on a small panel, while his father's is larger, measuring 117 cm x 162 cm. The motif representing “winter” is elaborately depicted in his father’s painting, while in this painting, the motif of winter is more simplified, and most of the features are only depicted in simple forms. His father’s original depicts three hunters, fourteen dogs, five persons roasting pork in front of a bistro with a signboard (a typical scene of December, and the process right after slaughtering a pig; it is not a bonfire) and four straight shrubs in the direction of the hunters walking in the close-up view; children who are enjoying the winter plays, such as skating, kolven (a kind of golf), curling, spinning top and sledding using a three-legged stool in the middle ground; and mountains with peaked summits and rock faces exposed from melting snow on the southern slope in the distant view. On the other hand, this copy depicts five hunters, eleven dogs, three persons in front of a bistro without signboard, and two large curved shrubs on the right and left sides of the hunters. The movements of children playing on the ice are barely recognizable, and distant mountains are only simply depicted in white and light blue colors with rough strokes of a brush. In terms of colors, his father’s painting gives an impression of monotonic colors using the limited colors like the Oriental ink paintings, while his painting adds a sense of colors to the entire picture with the red color of the hunter’s clothes and the blue color in middle and distant views which are standing out. Regarding whether this painting depicts a particular landscape, in the past, there were some opinions such as a scene overlooked from the eastern edge of Lake Geneva, or a view of a village in the suburbs of Innsbruck. Rather, it may be appropriate to regard it as an “integrated world landscape” which is characteristic to Brueghel’s paintings. In any case, making typical winter customs into a panoramic visual world, this painting provides a glimpse into a lot of rich and sensitive world of Brueghel, including an attachment to the lives of four seasons, affection for children’s plays, and awe for nature.